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Adalgisa Giana
Adalgisa Giana (1885?, Milan – ?) was an Italian operatic soprano.
Reported as being born in Milan circa 1885, Adalgisa Giana began her career in the United States, appearing in San Francisco in 1907 with the Milan Opera Company and in New Orleans in 1911 as a member of Lambardi Opera Company.〔''San Francisco Call'' (10 September 1907). ("Milan Opera Company Will Open With Aida" ), p. 4. Retrieved 16 May 2015.〕〔Kutsch, Karl-Josef and Riemens, Leo (eds.) (2004). ("Giana, Adalgisa" ), Großes Sängerlexikon, Vol 4. p. 1716. Walter de Gruyter 〕 In 1912 she moved back to Italy, where she worked as a touring singer in minor opera houses, including the Teatro della Pergola in Florence and the Teatro Carcano in Milan.〔(Chronology: Adalgisa Giana ) La Voce Antica〕 In 1918 Giana was engaged for the season at the Teatro Colón in Buenos Aires, where she sang a few roles, including Mallika in Leo Delibes's ''Lakmé'' and Principessa Elisa in the local premiere of Umberto Giordano's opera ''Madame Sans-Gêne''. She later returned to this theatre in 1926, performing several parts in contemporary operas and, notably, Zaubermädchen in Richard Wagner’s ''Parsifal''. She probably finished her stage career in the 1930s.
Adalgisa Giana was particularly associated with the role of Musetta in ''La bohème'' and notably sang this part in the first world complete recording of the opera (made in 1918 in Milan by La voce del padrone with Remo Andreini as Rodolfo and Gemma Bosini as Mimì, with the orchestra and chorus of the Teatro alla Scala under the direction of Carlo Sabajno). Giana's other best roles on stage included Nedda in Ruggero Leoncavallo’s ''Pagliacci'', Oscar in Giuseppe Verdi’s ''Un ballo in maschera'' and Walter in Alfredo Catalani's ''La Wally''.
==References==
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